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Tuesday, August 21, 2018

Win $50 Amazon Gift Card! Enter Katy Regnery's Fragments of Ash Pre-Order Blitz Giveaway! @katyregnery



FRAGMENTS OF ASH by Katy Regnery, Contemporary Romance/Reamagined Fairytale, 300 pp., $2.99 (Kindle)


Title: FRAGMENTS OF ASH
Author: Katy Regnery
Publisher: Katharine Gilliam Regnery
Pages: Appr. 300
Genre: Contemporary Romance/Reimagined Fairy Tale


Coming October 1st

My name is Ashley Ellis…
I was thirteen years old when my mother – retired supermodel, Tig – married Mosier Răumann, who was twice her age and the head of the Răumann crime family.
When I turned eighteen, my mother mysteriously died. Only then did I discover the dark plans my stepfather had in store for me all along; the debauched “work” he expected me to do.
With the help of my godfather, Gus, I have escaped from Mosier’s clutches, but his twin sons and henchmen have been tasked with hunting me down. And they will stop at nothing to return my virgin body to their father
…dead or alive.
This “Cinderella”-inspired contemporary romance finds young beauty, Ashley Ellis, on the run from her evil stepfather when she meets ex-Secret Service agent, Jesse Ducharmes.
FRAGMENTS OF ASH is part of the ~a modern fairytale~ collection by New York Times bestselling author, Katy Regnery.
RELEASE DATE: October 1, 2018

E-BOOK PRICING: $2.99 (pre-release/new release price), $5.99 (regular price)

PRE-ORDER LINKS:
♥ Amazon: https://amzn.to/2mNgzRy
♥ Apple: https://apple.co/2LXgINl
♥ Barnes & Noble: https://www.books2read.com/u/bP57Pl
♥ Kobo: https://bit.ly/2LJr72c
♥ Paperback: Coming soon!

OTHER LINKS:
♥ Goodreads: https://bit.ly/2Gdmnfr
♥ Web Page: https://bit.ly/2uVJnvD
♥ Giveaway: https://bit.ly/2LLpUYf

GIVEAWAY!

Katy Regnery is giving away a $50 Amazon Gift Card or Disney Store Gift Card!

Terms & Conditions:
  • By entering the giveaway, you are confirming you are at least 18 years old.
  • One winner will be chosen via Rafflecopter.
  • This giveaway ends midnight August 31.
  • Winner will be contacted via email on September 1.
  • Winner has 48 hours to reply.
Good luck everyone!

ENTER TO WIN!


a Rafflecopter giveaway


Excerpt:

My mind skitters to her face—her beautiful fucking face—and the way she stared at me with those wide eyes and her lips lightly parted. Those lips. She has Angelina Jolie lips. Scarlett Johanssen lips. Liv-fucking-Tyler from the “Crazy” video lips. Except this chick doesn’t look like Liv. She’s got blonde hair and a perfect pout like Alicia Silverstone. I remember the beginning of that video when our girl, Alicia, climbs out a bathroom window in her Catholic school uniform, her skirt riding up to show her black lace panties…and ahhh, yes, I feel my cock twitch just picturing it.
Fuck my life.
            Shit. Shit. Shit.
Because yeah, I was yelling at Jock, but she was standing behind him, and I didn’t miss the tight lines of her teenaged body under a pair of new jeans and a long-sleeved T-shirt. Her rounded tits strained just a little against the fabric of her top. Not enough to be dirty. Just enough to hate her. Because no guy alive—least of all me—has a right to want someone like her. Or sure, we can want her, but we’ll never have her. Not in a million years.
            She looked to be about Noelle’s age—somewhere between eighteen and twenty, and ridiculously young to suddenly arrive alone in the middle of nowhere, put up in an old farmhouse by a couple of aging queens.
            How in the fuck is this her best option?
            Who is she?
            And what exactly is her deal?
I grimace because the headlines of her story—the easy parts—start materializing as I think about what I know about her. I didn’t do all that training for nothing. Plus, I have good instincts. I could practically smell it on her—the fear, the desperation, the way she wouldn’t meet me eyes except to insist that she was an adult.
God, what a joke. If she’s an adult, I’m a French poodle.
Then something occurs to me: it was Jock’s boyfriend, Gus, who gave away the most important part of her story away.
She has nowhere else to go.
And then something else occurs to me, and I wonder, Is she in hiding?
This girl—what’s her name? Amber? Audrey?—is in trouble. Big trouble. The kind of trouble that gets other people in hot water when they were just trying to live their lives and mind their own business. And she’s been dumped on my doorstep. Literally.


 








New York Times and USA Today bestselling author Katy Regnery started her writing career by enrolling in a short story class in January 2012. One year later, she signed her first contract, and Katy’s first novel was published in September 2013.

Thirty-five books later, Katy claims authorship of the multititled New York Times and USA Today bestselling Blueberry Lane Series, which follows the English, Winslow, Rousseau, Story, and Ambler families of Philadelphia; the six-book, bestselling ~a modern fairytale~ series; and several other stand-alone novels and novellas, including the critically-acclaimed, USA Today bestselling contemporary romance, Unloved, a love story.

Katy’s first modern fairytale romance, The Vixen and the Vet, was nominated for a RITA® in 2015 and won the 2015 Kindle Book Award for romance. Katy’s boxed set, The English Brothers Boxed Set, Books #1–4, hit the USA Today bestseller list in 2015, and her Christmas story, Marrying Mr. English, appeared on the list a week later. In May 2016, Katy’s Blueberry Lane collection, The Winslow Brothers Boxed Set, Books #1–4, became a New York Times e-book bestseller.

Katy’s books are available in English, French, German, Italian, Portuguese and Turkish.

Katy lives in the relative wilds of northern Fairfield County, Connecticut, where her writing room looks out at the woods, and her husband, two young children, two dogs, and one Blue Tonkinese kitten create just enough cheerful chaos to remind her that the very best love stories begin at home.

WEBSITE & SOCIAL LINKS:

WEBSITE | TWITTER | FACEBOOK



 

Monday, August 20, 2018

Book Blast: Hope by Rima Jbara - Win a $25 Gift Card






Title: Hope
Author: Rima Jbara
Publisher: AuthorHouse
Genre: Poetry
Format: Ebook

Hope is about a woman who lives in a drowned world and is going through a silent ruin, and finds comfort in believing that her own self exists as another being, and confides her inner most secrets to her. It all started with a dream, advancing to a nightmare that then became a reality. Hope plays a lonely game in silence until her dreams turn to dust. She lives her life through an illusion that ends with capturing her own light, making that moment an unforgettable day. This novel reveals in detail how a woman suffers from depression, and how it rules and guides her life through her journey in finding solace.

PURCHASE HERE


Rima Jbara spent most of her childhood writing short stories overflowing with fantasy, and by the time she was 14, her first novel was released. Through her writing, she has given her readers a rare glimpse into her obscure world. The author released her evocative novel ‘Hope’ after five years of hiatus and obsession, and says, “I took time to experiment.” It contained gloomy and bitter self-conscious thoughts and dialogues that cemented Rima as a writer that has gone very deep to discover the inner most emotions in women and the ability to penetrate their souls. She wrote her bleak novels-on paper in shadowy rooms which only emphasizes the extreme infatuation of her art. An unconventional author, without an end declares her own death will comply while writing. Deeply troubled characters were created by Rima, and the complexity in these characters arises from her. The author’s life was tailor-made for her writing and sustains its passion in the pages; but she is best, when writing about herself. Visit the author online at www.rima-jbara.com  

GIVEAWAY

RIMA IS GIVING AWAY A $25 GIFT CARD!

  
Terms & Conditions:
  • By entering the giveaway, you are confirming you are at least 18 years old.
  • One winner will be chosen via Rafflecopter to receive one $25 Gift Certificate to the e-retailer of your choice
  • This giveaway begins August 21 and ends on August 31.
  • Winners will be contacted via email on September 1.
  • Winner has 48 hours to reply.
Good luck everyone! 

ENTER TO WIN!

a Rafflecopter giveaway




Monday, August 20

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Tuesday, August 28

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Thursday, August 30

Friday, August 31

Book Feature: Wheels Up by Jeanine Kitchel @jeaninekitchel #blogtour


WHEELS UP by Jeanine Kitchel, Thriller, 294 pp., $13.95 (paperback) $3.99 (Kindle)



Title: WHEELS UP: A NOVEL OF DRUGS, CARTELS, AND SURVIVAL
Author: Jeanine Kitchel
Publisher: Independent
Pages: 294
Genre: Thriller


Layla always wanted to run the family business. But is she willing to kill for it?
When her notorious drug lord uncle is recaptured, Layla Navarro catapults to the top of Mexico’s most powerful cartel. Groomed as his successor, Layla knows where the bodies are buried. But not all the enemies. She strikes her first deal to prove her mettle by accepting an offer to move two tons of cocaine from Colombia to Cancun by jet. Things go sideways during a stopover in Guatemala whe Layla unexpectedly uncovers a human trafficking ring. Plagued by self-doubt, she must fight off gangsters, outsmart corrupt officials, and navigate the minefield of Mexican machismo. Even worse, she realizes she’s become a target for every rival cartel seeking to undermine her new standing. From her lush base in the tropics, she’s determined to retain her dominant position in Mexico’s criminal world. If she can stay alive.

ORDER YOUR COPY:

https://www.amazon.com/Wyoming-Tryst-Front-Range-Book-ebook/dp/B07B8NK5WC
Click on Amazon graphic to purchase


Excerpt:

Chapter 1
Yucatan Peninsula, Mexico
Present Day
The Gulfstream jet, loaded with two tons of Colombian cocaine, careened over dense Yucatan jungle as Layla stared out the compact window, horrified. If they weren’t running on empty and destined to crash, it might have looked lush to her, even beautiful.
Without fuel, the engines starved into silence, she heard only the whooshing sound of the aluminum plane as it cruised over mangrove swamps and fast-approaching mahogany trees. All thoughts of her hasty departure from Guatemala to escape Don Guillermo’s wrath had vanished along with any hopes of safely landing in Cancun. They were going down.
Layla gripped the armrests, dropped her head between her knees, and prepared for the worst.
#
Three weeks earlier, Layla was sitting at the crowded bar in Bucanero’s Cantina in Ensenada, on Mexico’s west coast, while she waited for Clay Lasalle, Canada’s biggest pot dealer, to show up. Carlos, her bodyguard and sometime lover, was with her, but rather than relieving the stress, his overbearing presence just added to the pressure.
With the recent recapture and imprisonment of El Patrón, her notorious uncle, Layla had catapulted to the top of the Culiacan Cartel as his replacement. Now she was facing her first deal without her uncle’s guiding hand. To calm her jitters she resorted to the one thing that never failed her: tequila shots.
“Don Julio, por favor!” Layla called to the paunchy bartender over the clamor of the rowdy, alcohol-fueled crowd—mostly tourists in shorts and Hawaiian shirts. Above the polished mahogany bar a framed poster-sized photo showed a nude blonde being ushered out of the century-old watering hole by two Mexican policia. Of course it’s a gringa, Layla thought, Mexicans treaded more carefully in shark-infested waters. She waved a two-hundred-peso note as the bartender passed by with a tray of margaritas.
“Momentito!” he promised.
Carlos stepped away just as she downed her second shot. Though he’d given her his “cuidado” or “be careful” look before heading to the restroom, she ignored it. When a handsome gringo sat next to her and started talking, she was all in.
By the time Carlos returned, Layla was too busy chatting with her neighbor to worry about her bodyguard’s glare. Carlos hated outsiders as much as seeing her drink, but she needed to chill. Tequila shots and flirting were a mindless diversion. The agave centered her, allowing her to distract herself without losing her edge before the meeting.
“You’re from Chicago?” she asked. “I’ve been there.”
The man gazed at the dark-haired Latina by his side. “What did you think?”
She gave a dismissive shrug. “Too cold.” Her intelligent almond-shaped eyes were the color of charcoal. “I prefer Mexico.” A sardonic smile highlighted her cheekbones, making her face even more appealing.
Layla turned back toward her bodyguard and focused on the shot glass the bartender placed in front of her. Poor Carlos. Coming to Baja always rattled him. It wasn’t only the jaw-breaking drive from Culiacan on dodgy Mexican roads. It was Ensenada—far from the safety of Sinaloa, well out of their comfort zone. But for Layla, Bucanero’s Cantina qualified as northern Baja’s one saving grace. The dive bar brought back memories of her wild, reckless early years. At thirty-five, Layla still had plenty of the right stuff. Her five-foot-six frame seemed mostly legs and Carlos’s rare compliments always focused on her tiny waist. She emphasized her striking physique by wearing low-cut tops but her most notable feature was the cascade of curly dark hair that spilled over her shoulders.
She downed her last tequila shot, scooted off the wooden bar stool a step ahead of Carlos and moved towards the empty dining room. The cantina was not the best place for a meeting, but it suited their needs: an easy landmark near the border with a back room for business. Layla slipped into the barely lit room, accepted a menu from the waiter, and handed him a two-hundred-peso note.
“Our associate arrives soon. We need privacy. Close the restaurant,” she ordered. “Your manager knows.”
He nodded, pocketed the bill, and turned towards the kitchen.
Layla walked across the worn wooden floor to a corner table in the back. She took a deep breath to steady herself before sitting down. Things would escalate into a full-scale argument once Carlos reached the table. She could already hear him scolding, “Bosses keep to themselves, especially in public.”
When Carlos had a bad day, everyone had a bad day. He could easily vie for title of most miserable man on the planet. Too bad the sex was so good. Hijole! He had the body of a male model but two sizes larger, with café au lait skin. So handsome, but so disagreeable. Granted she shouldn’t have given that gringo the time of day, but tequila made her bold.
Layla opened the menu, waiting for her bodyguard’s interrogation to begin.
Carlos banged a cheap wooden chair against the table before sitting down. “What the hell do you care about Chicago? It’s not Madrid, not even Barcelona! That guy was boring! Are you so starved for conversation you have to talk to a gringo?”
Layla silently perused the bill of fare.
“I’ve had it,” he said, his voice rising. “I’m tired of my life. Am I just your bodyguard and nothing more? Everyone, everyone, told me to keep it strictly business, even your uncle. But I didn’t listen. I thought it would be that one drunken one night stand, and now I’m fucking chained to you because of this goddamn job!”
His powerful hands clenched into fists as he rubbed them over his knees. “If only I could’ve left you in Guadalajara. But I’d have never made it out of the city before taking a bullet from your uncle.”
That was accurate: You didn’t quit the cartel, the cartel quit you. She looked at the menu, avoiding eye contact, glad the waiter hadn’t yet returned. “Should we order?”
He glared at her. “Are you acting like this conversation isn’t happening? Do you want me to walk out of here, meeting or no meeting?”
Best not to test him. He’d do it, and then she’d be without a bodyguard. The drone of his voice, the bullying, started to sink in. Chinga! She had no trouble working the cartel mob, but Carlos ran her. He was as overbearing as her two brothers. Reynoldo who should have been running the cartel had died trying, and Martín, her other brother, wasn’t up to the task. Now with one brother and two cousins dead, Layla found herself atop the Culiacan Cartel.
She looked up and said in as soothing a tone as possible, “Carlos, let’s not fight, okay? We’re here for business. I need you with me. You’re not only the man who protects me. I love you.”
She did love him, though his bad attitude and barking complaints—usually aimed at her—were tiresome. He shifted his perfectly-proportioned body forward, staring at her with eyes she’d been lost in a hundred times. He surprised her by grabbing her hand, a little harder than necessary. They never touched in public.
“After this meeting, we’ll talk about you and me.” He scowled. “I don’t know why you drink so much—and with strangers.”
These macho men! “Okay, okay. I’ll let up on the shots. One last Pacifico while we wait.”
The waiter came and they ordered. She checked her watch, 10 p.m. Lasalle would be showing up soon. She’d met him once before in Miami and sparks had flown—there was no denying they had chemistry.
Layla changed topics. “So, what does he want?”
“Chinga! Who cares?”
She backpedaled. “Carlos…”
He gave her a cold look but couldn’t hold back his opinion. “Routes for coke or pot.”
The meal went smoothly. Layla pushed an enchilada around her plate and watched Carlos demolish an order of chilaquiles, three tamales, and a couple chicken enchiladas. As he piled it in, a rare calm settled over him. He was well into his second beer when Clay walked into the restaurant. Layla saw him first, but Carlos looked up the moment Clay crossed the threshold. As a bodyguard, Carlos’s instincts were flawless.
The thirty-something Canadian smuggler was six feet two, a looker with brown shaggy hair and an easy smile. Though his frame was solid, almost hefty, he moved like a cat. Spotting Layla, he gave a nod as his long strides brought him across the room.
He let his knuckles graze the table as he flashed her a warm smile. “Layla, it’s been a long time. Good to see you again. And this is…”
“Carlos.”
“Carlos, hola. Clay.” The Canadian extended a hand.
Carlos rose from the booth. “A pleasure.” He spoke in Spanish. “I’ll be close by,” he said to Layla.
“Have a seat.” Layla slid over to allow room for Clay. Not much had changed about the northern grower since she last saw him—still that laidback air even though he controlled the lion’s share of Canada’s pot sales.
“Something to eat?” Layla continued in English, though she knew Clay spoke passable Spanish.
He shook his head. “Just a Pacifico.” She gestured toward her beer and the hovering waiter sprung into action.
“Long drive?”
“Not bad. Been waiting long?” Clay asked.
“No.”
They silently watched the waiter set down the bottle of beer and retreat from the room.
“Salud,” said Clay, raising his bottle. “Layla, I’m glad you could meet with me. I’ll get right to the point. I want a partner to move a couple tons of coke to Cancun by air—a regular run. I heard you lost a yacht recently, so a partnership could work out well for both of us.”
How did Lasalle know about the navy seizing their yacht?
“Cocaine…”
“Boats are fine, but flying’s faster and we can carry more. Plus I’m dealing directly with FARC. Gotta hand it to ’em. For a guerrilla army in the Colombian jungle, they know how to run those cocaine fincas. And we can get better prices from them than anyone’s gotten before.”
He took a swig of beer.
“Interesting,” she said without emotion. “How will you manage those good prices?”
“A combined order with you.” He paused and waited for her reaction.
She said nothing.
“The airport manager’s on board,” he said, “Already allowed some of my flights through.”
She leaned back against the worn naugahyde booth, settling into the game of cat and mouse. “What kind of planes?”
“A Gulfstream and a DC-9.”
Layla raised an eyebrow. “Who owns them?”
“A couple guys in Lauderdale run a shield for drug planes by providing American registration to the cartels. It’s complicated—big money down, more than what the plane’s worth. In return these guys maintain the plane registration, and hire Vietnam vets to do the cartel runs.”
She nodded.
“If the plane’s seized, the pilots deny responsibility. These hooked-up guys can reclaim the plane because their corporation holds the lien,” Clay said.
Layla slid forward, placed her elbows on the table and picked at the label on the empty beer bottle in front of her. “How can they do that? Someone must hold the original papers.”
“They disguise ownership by sheep-dipping it—you know, a fake identity—and pass it on to straw owners. It’s a slick process, an old scheme used by the CIA.”
“The CIA? Come on, Clay,” she said with a slight frown. Do I look naïve? She flipped her dark hair over one shoulder. Clay’s gaze shifted to Layla’s long elegant neck.
He caught himself, looked away, and readjusted his long legs under the table before speaking. “These vets couriered traffickers from Colombia to Miami for the CIA. Talk about walking the line. They did time for trafficking, but they’re back, and they’re hotshot pilots.”
“Your shipments came in with no problem?” Layla asked.
“Like I said, I have connections, and the players, they’ve worked it out.”
“Does that include the Gulf Cartel?”
He nodded.
 “Hmm. I’ve got to think things through,” Layla said. “When’s your next run?”
 “Got a few details to sort out. I hear you’re growing the European market—this’ll get you a lot closer to that trip across the pond.”
Layla gave him a cool smile. “If I didn’t know better I’d think you were spying on me.”
“Layla,” Clay said with a chuckle. “I’m just trying to keep up with you.”
She looked at him a second too long before she continued. “Can I get back to you?”
 “Sure.” Clay finished off his beer. “Let me know where and when.”
#
Layla and Carlos left Ensenada immediately after the meeting, heading out on the road to Culiacan. Carlos high-powered the black SUV through the moonless night while Layla closed her eyes and imagined the impact of bringing in new business on her own. In a four hundred billion dollar global industry, she could begin to stake out her territory.
 “By working with us, FARC will see Clay as a real player,” she confided to Carlos.
 “Basta! Always business!” Carlos said, still in a huff.
Layla composed herself before responding. “Yes, it is. Business that allows you to drive a new Escalade, wear expensive suits and five thousand peso boots, and drink Don Julio and Dom Perignon. Let me remind you: My uncle’s in prison and he’s left me in charge. Get used to it!”
She leaned against the window, pulling as far away from Carlos as possible. Always fighting. She turned her attention to the darkness outside. It was a lonely two-lane road, not used much even in the daytime. Though she couldn’t make out the mountains that surrounded them she knew they were there.
They rode in silence, absorbed in separate thoughts. Carlos concentrated on dodging potholes. Layla contemplated moving powder with Clay.
The rules were changing and in this game they all had to stay ahead of the curve. She was anxious to run the idea by El Patrón. But they had a long drive ahead.




 








Jeanine Kitchel, a former journalist, escaped her hectic nine-to-five life in San Francisco, bought land, and built a house in a fishing village on the Mexican Caribbean coast. Shortly after settling in she opened a bookstore. By this time she had become a serious Mayaphile and her love of the Maya culture led her and her husband to nearby pyramid sites throughout southern Mexico and farther away to sites in Central America. In the bookstore she entertained a steady stream of customers with their own Maya tales to tell—from archeologists and explorers to tour guides and local experts. At the request of  a publisher friend, she began writing travel articles about her adopted homeland for websites and newspapers. Her travel memoir, Where the Sky is Born: Living in the Land of the Maya, and Maya 2012 Revealed: Demystifying the Prophecy, are available on Amazon. She has since branched into writing fiction and her debut novel, Wheels Up—A Novel of Drugs, Cartels and Survival, launched May 2018.

WEBSITE & SOCIAL LINKS:

WEBSITE | TWITTER | FACEBOOK (Personal) | FACEBOOK (Page)


 

Friday, August 17, 2018

Guest Post from William E. Jefferson, author of Divine Choreography of Redemption







Title: Divine Choreography of Redemption: Setting the Eternal Saga in Time
Author: William E. Jefferson
Publisher: Hybrid Global Publishing
Genre: Historical Fantasy


Divine Choreography of Redemption explores the story of redemption as divine drama advanced by acts and agents that transcend time and space. The novel is set beyond the Storied Sea on the ancient Isle of Estillyen, far from everywhere yet mystically near. There, a troupe of Message Makers from the seventeenth century mysteriously arrives to grapple with the theme in today's context.
At the heart of the novel, a battle brews between technology's driven existence--aided by modern devices and algorithms--and life centered in Scriptures ancient narrative. The story line begs the question: Does meaning truly abide in the saga of redemption's divine choreography, or in media's discarnate realm?


PURCHASE HERE


The Son of God and Satan’s Demise

A few years ago, I wrote an article for Time magazine titled “Is Satan Dead?”[1]The piece was prompted by the 2014 movie release Son of God.[2]
To public surprise, Satan, the archenemy of God, had been axed from the film. Satan’s fall from stardom stoked rumors. Where did he go, and why? Did he have a more important role to play, a more lucrative offer? Or had the unimaginable come to pass: was Satan dead?
Though provocative, Satan’s 2014demise was not nearly as shocking as the supposed disappearance of God in 1966. Two days prior to Easter that year, Time magazine rocked the world with a three-word front cover boldly asking “Is God Dead?”The type-only cover was a first for Time.
Circumstances surrounding Satan’s departure proved more straightforward than the questionable disappearance of God. In fact, the executive producers of Son of God, Roma Downey and Mark Burnett, were keen to speak about the villain’s swift exit.
Irish-born Downey, who plays Mary, the mother of Jesus, in the film, told USA Today, “It gives me great pleasure to tell you that the devil is on the cutting-room floor. This is now a movie about Jesus, the Son of God, and the Devil gets no more screen time, no more distractions.”
Downey expressed no ambivalence about the decision. “I wanted all of the focus to be on Jesus,” she explained.“I want his name to be on the lips of everyone who sees this movie, so we cast Satan out.”
So simple; it seemed so clear cut. A pair of modern movie makers exercised carte blanche mastery over the ancient narrative. Snip, Satan was gone, the Devil deposed. The filmmakers desired a movie about Jesus, the Son of God, minus the ancient foe.
Fortunately, the Gospel writers of old possessed a different resolve. They understood that the story of Christ would appear inept without the wicked one as part of the narrative. Concerning this point, the Scriptures are rather explicit: “The reason the Son of God appeared was to destroy the works of the devil.”
Consequently, one might say that the dark, deathly role of Satan enlightens the light. The light of truth shines brighter still, when cast against the darkened veil. This point is not lost in my newly released novel, Divine Choreography of Redemption: Setting the Eternal Saga in Time. As the plot unfolds, readers will discover Satan playing a rather mesmerizing role.
The following is a brief except. Here, we find Satan at the Crimson Cliffs addressing a mass audience of discarnate souls:
The frightening figure [Satan] stood on a high platform built on top of giant round, red boulders. Behind him, mountainous red cliffs formed a high ridge that extended on an on in every direction. On the plane in front of him, row upon row of eyes stretched into infinity. The rows fanned out wider and wider as they spread across the barren soil.
“Look around you,” Satan said; “all you see are eyes. Look now at me, as I look upon thee. Many have longed to see what you now see. Gaze long. Look well. I have not forsaken or forgotten you. Know this: I am your shield and great reward.”
Divine Choreography of Redemption is a compelling read, a buoyant, allegorical tale underscoring the importance of incarnational faith and human worth. At the heart of the novel, a significant battle brews between augmented reality—aided by algorithms and modern technology—set against life inspired by Scripture’s abiding narrative.
So, when the subject turns to Satan, it’s not wise to announce his premature demise. The ancient foe has been around since time began, and he knows how to survive a fall. Just the same, Satan is well and truly doomed. Words penned by St. John speak to the heart of the tale: “The light shines in the darkness, and the darkness has not overcome it.”[3]
In a modern digital society, prone to nibbling on tiny tweets and tidbits, Scripture’s epic drama plays a vital role. The divinely choreographed drama draws us into matters that matter most. It halts the frenzied pace of mediated chatter and invites us to enter the eternal saga, set in time.

William E. Jefferson is author of Divine Choreography of Redemption: Setting the Eternal Saga in Time, available on Amazon.






[2]Son of God, Christopher Spencer, director; Lightworkers Media, 2014.
[3] John 1:5



Having lived and worked in London, Moscow, and New York, today author William Jefferson writes from a Civil-War era cottage in the rural Ozarks. He is author of Messages from Estillyen : A Novel of Redemption and Human Worth, and owner of Storybook Barn www.Storybookbarnmo.com Jefferson holds an MTh in Theology and Media from the University of Edinburgh and an MA in Communications from the Wheaton Graduate School. 







Monday, August 13

Tuesday, August 14
Guest blogging at As the Page Turns

Wednesday, August 15
Interviewed at Book Bloggin' Princess

Thursday, August 16
Guest blogging at Write and Take Flight

Friday, August 17
Guest blogging at A Title Wave

Monday, August 20

Tuesday, August 21
Interviewed at Voodoo Princess

Wednesday, August 22

Thursday, August 23
Interviewed at Literal Exposure

Friday, August 24

Monday, August 27
Interviewed at A Book Lover

Tuesday, August 28

Wednesday, August 29
Guest blogging at The Dark Phantom

Thursday, August 30
Guest blogging at Book Cover Junkie

Friday, August 31
Guest blogging at I'm Shelf-ish

Monday, September 3

Tuesday, September 4

Wednesday, September 5
Interviewed at The Writer's Life

Thursday, September 6
Guest blogging at My Bookish Pleasures

Friday, September 7
Interviewed at The Literary Nook


Thursday, August 16, 2018

Book Feature: I Am the Product of Rape: A Memoir by Catherine Wyatt-Morley and Jalyon Welsh-Cole



I AM THE PRODUCT OF RAPE: A MEMOIR by Catherine Wyatt-Morley & Jalyon Welsh-Cole, Memoir, 194 pp., $15.95 (paperback)


Title: I AM THE PRODUCT OF RAPE – A MEMOIR
Authors: Catherine Wyatt-Morley and Jalyon Welsh-Cole
Publisher: Four Pillars Media Group
Pages: 194
Genre: Memoir


The phrase “secrets and lies” takes on terrible new meaning in Catherine Wyatt-Morley’s devastating book, I AM THE PRODUCT OF RAPE – A MEMOIR.

Wyatt-Morley’s shocking story traces the repeated patterns of rape and incest that plagued four generations of her family, including Wyatt-Morley’s birth in a filthy basement to her 12-year-old mother, who was sexually abused by her step-father.

“…In the process of writing this book, an extremely difficult journey that has taken years, I was taken to unfamiliar destinations and exposed to unfathomable pain,” Wyatt-Morley relates. “Part of that pain was learning that I was created through the atrocities of incest by a brutally manipulative monster and, while only moments old, (I was) denied by a heartless grandmother who never bothered to look at me.”

Wyatt-Morley wrote I AM THE PRODUCT OF RAPE – A MEMOIR, she says, “as my way of dealing with my personal healing. But through conversations with many diverse women, I quickly began seeing I was not alone. So many had never told anyone of the abuse that has happened to them; yet they have a need to heal, to not feel isolated.”

Wyatt-Morley’s daughter, Jalyon Welsh-Cole, also suffered the terrible legacy of her family when she was abused by her eldest brother. She wrote the epilogue to I AM THE PRODUCT OF RAPE – A MEMOIR, an essay she called BURNING HOUSE, in response to the continued pattern of abuse that formed her familial legacy.

“Most of my family members who have learned of this are dealing with it as well as one can,” Welsh-Cole says. “However, others are still in disbelief and struggle to understand. For over two decades I kept this heinous secret to myself. I have had time to bury it, cry over it, and finally seek therapy and come to grips with it.

Welsh-Cole’s mother’s story “made me feel as if our bloodline was full of secrets and lies that I wanted to expose,” she continues. “I knew after learning of my grandmother’s story that I wasn’t alone. Today, I cannot allow this to continue to happen in our family.”
As dark and unrelenting as it is, the story told in I AM THE PRODUCT OF RAPE – A MEMOIR leads to a conclusion of overcoming tremendous odds, leaving readers riveted, inspired, and empowered.

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Excerpt:

A ferocious human predator ripped through our family, drooling over the innocent―leaving none untouched. Generations of child predators have devoured their vulnerable offspring and siblings, molesting our family’s youth unconcerned about the magnitude of their actions. Silence has become the gateway to mental health issues throughout our lineage.  I Am the Product of RapeA Memoir exposes generational secrets, lies, cover-ups and denial and their consequences. Told from my perspective, this is my family story, a glimpse into four women irreversibly scarred by traumatic abuse.
            The family matriarch, my grandmother, a prolific mother of ten, sets the tone for all of us women who would place our feet in the footprints of her journey. Her decisions transform her ancestry for generations to come. Refusing her child love, protection, safety and happiness for material wealth is significant to her legacy. Her story sheds light on the transgressions she not only allowed but participated in.
            Next, there is the vulnerable, shy girl who endured the death of her childhood at the hands of her stepfather. Incest, abuse, betrayal, humiliation, and rape inhumanly tore through her seven year old body. Well before puberty she was sexually exploited in her own home, her childhood, mind and body all repeatedly violated. While her mother, my grandmother, lived in denial of the events taking place in their home, this innocent child was consistently, savagely tormented by her stepfather who exercised power and control over her. To survive she separated her two worlds, disconnecting from the brutality she incessantly endured. Inevitable, at twelve years old that vulnerable, shy girl gave birth a child. She gave birth to me!
            Then, there is me, born on a filthy basement floor to a twelve year old. I Am the Product of Rape. I am an adoptee, I am a daughter, and I am a mother of three. In search of my future, I found the weighted baggage of the past. Catholic Social Services documents helped to chronicle my life, as did the many conversations I have had over the years with sometimes very reluctant people―relatives, social workers, and paper pushers, all of whom seemed to guard my past as it floundered aimlessly, leaving lingering, unanswered questions. Through the process of connecting with my past much was revealed. I came to learn that from my first breath I was discarded, unwanted, unloved and homeless. My journey through foster homes the adoption system, and the intense emotional peaks and valleys concluded with me being adopted becoming the fourth member of a middle class Catholic family.  The mother of the family had love enough for one of her children and I was not that child.
            Finally, along this sexual-abuse sojourn, I unfortunately discovered my daughter's devastating experience. Crushing my very core, this revelation sent my life careening in another unexpected direction, straight through my children's lives into a fourth-generation nightmare. The ripple effects of demoralizing incest, the sexual slavery of serial rape, and the brutality of molestation go beyond their impact on the direct victims, transmitting a trauma that oozes intergenerationally. This story intertwines the DNA of my family's bloodline.
            In conclusion, I Am the Product of Rape―A Memoir initiates family table talks that have kept incest secrets silent for generations. Our goals are to make I Am the Product of Rape ―A Memoir and our other materials available to everyone, have I Am the Product of Rape ―A Memoir translated into the worlds languages and make I Am the Product of Rape ―A Memoir and our other materials part of the global platform for eliminating disparities. My daughter and I conclude by saying you are not alone.





 







Catherine Wyatt-Morley is the founder, chief executive officer and heartbeat of Women On Maintaining Education and Nutrition, a 501(c)(3) nonprofit social service organization for the at-risk and HIV-positive community. In 1994, Wyatt-Morley founded Women On Reasons To Heal (W.O.R.T.H.), the first and what has become the oldest HIV-positive women’s support group in Middle Tennessee.

Wyatt-Morley has appeared in countless media outlets nationwide, including SELF Magazine, the Today Show, A&U Magazine, POZ Magazine, CNN, Voices of America, MSNBC, Talk America Radio, FX Radio, SiriusXM Satellite Radio, the Palm Beach Post, the Indianapolis Indiana Recorder, the Los Angeles Times, the Canadian Sun, Nashville Scene, and the Tennessean.

Jalyon Welsh-Cole has been director of Women On Maintaining Education and Nutrition, a 501(c) (3) nonprofit social service organization, since 2010. Welsh-Cole began writing when she was very young, starting with short stories and poems. As a teen, she was inspired to draw, finding comfort and creativity in her art. She joined forces with Wyatt-Morley to share her story in I AM THE PRODUCT OF RAPE – A MEMOIR. Together, they also have created #HealingSecretHurts workshops, which bring the spectrum of traumatizing sexual assault into the light.

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